I spent years as an artist chasing original ideas that rarely landed inside a clear genre.
I would book expensive studio time, excited to finally bring my songs to life, only to end up face to face with engineers who could easily track a normal indie rock record but had no idea what to do with found sounds, manipulated samples, layered synths, complex vocal harmonies, or rhythms pulled from different parts of the world. Those moments were often met with blank stares, and while the sessions moved forward, the final result often felt incomplete or misaligned with the original vision.
So I started learning everything myself.
With an art school background, I’ve always been drawn to experimentation and cross-disciplinary thinking. Over the next decade, I bought vintage synthesizers and drum machines, built beats on MPCs and SP-404s, dove deep into Ableton Live, and slowly learned how to shape unconventional ideas into something cohesive. Through touring, recording, and releasing music, I experienced firsthand the tension between experimentation and completion. I also learned how frustrating it can be to feel close to something great without fully realizing it.
Over time, I began producing for other artists and saw the same pattern. Talented musicians with bold, hard-to-define ideas were getting stuck between inspiration and execution.
My work is grounded in curiosity, respect, and collaboration. I believe everyone deserves to feel heard and taken seriously in the studio, and I’m intentional about creating a space where artists can explore their ideas without being dismissed or reshaped into something they’re not.
That’s the gap I work in now.
If you’re an unconventional artist looking to translate experimental ideas into finished records that feel intentional, complete, and ready to share, you’re in the right place.
Click the Get Started button below.